I once had an art teacher that insisted I partake in an ambitious read titled ‘The Shock Of The New’. A hundred year history of modern art from cubism to the Avant-garde written by the formidable art historian Robert Hughes. I must admit it took me almost two months of concentrated reading to get through it, but one thing that I most notably learnt was that during times of trial and tribulation we see our most iconic periods of artistic evolution.
Last week was the final gap in freedom for me to visit an exhibition at the GOMA Museum, that I’d long wished to see, with the installation Riverbed by Olafur Eliasson being at the top of my list. An entire room laid before me filled with Icelandic volcanic rock with running water meandering through the centre of this incredible spectacle. Eliasson’s challenge and comment towards the process of inhibiting space, so fitting for the current mindset that we’re experiencing.